{"id":365,"date":"2025-08-14T02:16:31","date_gmt":"2025-08-14T05:16:31","guid":{"rendered":"https:\/\/mascarante.eba.ufmg.br\/?page_id=365"},"modified":"2026-06-09T23:07:21","modified_gmt":"2026-06-10T02:07:21","slug":"artigos","status":"publish","type":"page","link":"https:\/\/mascarante.eba.ufmg.br\/index.php\/biblioteca\/trabalhos-academicos\/artigos\/","title":{"rendered":"Artigos"},"content":{"rendered":"\n<div class=\"wp-block-group alignwide has-global-padding is-layout-constrained wp-container-core-group-is-layout-639b5052 wp-block-group-is-layout-constrained\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<div class=\"wp-block-group alignwide has-white-background-color has-background is-layout-flow wp-block-group-is-layout-flow\" style=\"padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\">\n<ol style=\"line-height:2\" class=\"wp-block-list\">\n<li><strong>Bate-bolas: rastros materiais de rupturas hist\u00f3ricas nas fantasias dos mascarados cariocas <\/strong>(2020)<br>Nilton Gon\u00e7alves Gamba Junior e Priscila Andrade Silva<br><a href=\"https:\/\/estudosemdesign.emnuvens.com.br\/design\/article\/view\/888\"><u>https:\/\/estudosemdesign.emnuvens.com.br\/design\/article\/view\/888<\/u><\/a><\/li>\n\n\n\n<li><strong>Boi de m\u00e1scaras: mem\u00f3ria e patrim\u00f4nio imaterial <\/strong>(21\\09\\2021)<br>Santos Silva, Silvia Sueli<br><a href=\"https:\/\/dialnet.unirioja.es\/servlet\/articulo?codigo=10053869\"><u>https:\/\/dialnet.unirioja.es\/servlet\/articulo?codigo=10053869<\/u><\/a><\/li>\n\n\n\n<li><strong>O boneco e a m\u00e1scara como fun\u00e7\u00e3o social nos folguedos do Sudeste.<\/strong> (12\\01\\2026)<br>Rafael Sol<br><a href=\"https:\/\/www.revistas.udesc.br\/index.php\/moin\/article\/view\/28191\"><u>https:\/\/www.revistas.udesc.br\/index.php\/moin\/article\/view\/28191<\/u><\/a><\/li>\n\n\n\n<li><strong>Cena e subvers\u00e3o no carnaval: o maracatu rural e a recente presen\u00e7a feminina nessa express\u00e3o art\u00edstica. <\/strong>(30\\12\\2017)<br>Monique Luca Maritan<br><a href=\"https:\/\/revistas.ufg.br\/artce\/article\/view\/47743\"><u>https:\/\/revistas.ufg.br\/artce\/article\/view\/47743<\/u><\/a><\/li>\n\n\n\n<li><strong>As chegadas dos palha\u00e7os: Ritual e Conflito dentro da Festa do Arremate na Folia de Reis<\/strong> (2016)<br>Luiz Gustavo Mendel Souza<br><a href=\"https:\/\/www.abant.org.br\/files\/1467075865_ARQUIVO_RBAGustavoartigo.pdf\"><u>https:\/\/www.abant.org.br\/files\/1467075865_ARQUIVO_RBAGustavoartigo.pdf<\/u><\/a><\/li>\n\n\n\n<li><strong>Com f\u00e9 e folia: a performance do palha\u00e7o da Folia de Reis no Tri\u00e2ngulo Mineiro <\/strong>(27\\03\\2010)<br>Vanilto Alves de Freitas (Laka) e Narciso Telles<br><a href=\"https:\/\/periodicos.ufcat.edu.br\/index.php\/Opsis\/article\/view\/9266\"><u>https:\/\/periodicos.ufcat.edu.br\/index.php\/Opsis\/article\/view\/9266<\/u><\/a><\/li>\n\n\n\n<li><strong>Considera\u00e7\u00f5es sobre as lentes afroamericanas: a performance do palha\u00e7o da folia<\/strong> (18\\02\\2010)<br>Ausonia Bernardes Monteiro<br><a href=\"https:\/\/enap2010.wordpress.com\/wp-content\/uploads\/2010\/03\/ausonia_bernardes_monteiro.pdf\"><u>https:\/\/enap2010.wordpress.com\/wp-content\/uploads\/2010\/03\/ausonia_bernardes_monteiro.pdf<\/u><\/a><\/li>\n\n\n\n<li><strong>O Cord\u00e3o da Bicharada: a espetacularidade do carnaval de rua em Juaba-Camet\u00e1\/PA <\/strong>(06\\2020)<br>Ivone Maria Xavier de Amorim Almeida<br><a href=\"https:\/\/periodicos.ufpa.br\/index.php\/ppgartes\/article\/view\/10581\">https:\/\/periodicos.ufpa.br\/index.php\/ppgartes\/article\/view\/10581<\/a><\/li>\n\n\n\n<li><strong>Cores, corporeidades e alegrias de viver: conv\u00edvios com as m\u00e1scaras e mascaramentos dos teatros de tradi\u00e7\u00e3o popular de Minas Gerais no Brasil<\/strong> (22\\12\\2022)<br>Bya Braga, Gabriel Couto Pereira e Jaciara Arguello Marschner<br><a href=\"https:\/\/revistas.usp.br\/aspas\/pt_BR\/article\/view\/215402\"><u>https:\/\/revistas.usp.br\/aspas\/pt_BR\/article\/view\/215402<\/u><\/a><\/li>\n\n\n\n<li><strong>A dan\u00e7a dos mascarados de Pocon\u00e9: considera\u00e7\u00f5es gerais <\/strong>(30\\11\\2018)<br>Shaiane Beatriz dos Santos e Carmen Anita Hoffmann<br><a href=\"https:\/\/seer.fundarte.rs.gov.br\/Anaissem\/article\/view\/537\"><u>https:\/\/seer.fundarte.rs.gov.br\/Anaissem\/article\/view\/537<\/u><\/a><\/li>\n\n\n\n<li><strong>Dan\u00e7a dos mascarados: resist\u00eancia e eleg\u00e2ncia de movimentos<\/strong> (12\\12\\2020)<br>Ivoneides Maria Amaral e Benedito Dielcio Moreira<br><a href=\"https:\/\/revistas.usp.br\/extraprensa\/pt_BR\/article\/view\/175060\"><u>https:\/\/revistas.usp.br\/extraprensa\/pt_BR\/article\/view\/175060<\/u><\/a><\/li>\n\n\n\n<li><strong>\u00c9 dia de folia: o folguedo do Boi de M\u00e1scara em S\u00e3o Caetano de Odivelas\/PA<\/strong> (2012)<br>Ivone Maria Xavier De Amorim Almeida E Jorge Luiz Oliveira Dos Santos<br><a href=\"https:\/\/periodicos.ufc.br\/revcienso\/article\/view\/820\"><u>https:\/\/periodicos.ufc.br\/revcienso\/article\/view\/820<\/u><\/a><\/li>\n\n\n\n<li><strong>Ensinamentos do brincante de cavalo marinho ao ator de rua<\/strong> (2007)<br>Ana Caldas Lewinsohn<br><a href=\"https:\/\/www.digitalmundomiraira.com.br\/GrupoDePesquisa\/Congresso%20Brasileiro%20de%20Folclore\/Trabalhos\/GT%2014\/Trabalhos%20completos\/1201-Ensinamentos%20do%20Brincante%20....pdf\"><u>https:\/\/www.digitalmundomiraira.com.br\/GrupoDePesquisa\/Congresso%20Brasileiro%20de%20Folclore\/Trabalhos\/GT%2014\/Trabalhos%20completos\/1201-Ensinamentos%20do%20Brincante%20&#8230;.pdf<\/u><\/a><\/li>\n\n\n\n<li><strong>O folguedo dos caretas de triunfo: mudan\u00e7as e perman\u00eancias<\/strong> (Sem data)<br>Maria das Gra\u00e7as Vanderlei da Costa<br><a href=\"https:\/\/www.digitalmundomiraira.com.br\/GrupoDePesquisa\/Congresso%20Brasileiro%20de%20Folclore\/Trabalhos\/GT%2014\/Trabalhos%20completos\/1171-O%20FOLGUEDO%20DOS%20CARETAS.pdf\"><u>https:\/\/www.digitalmundomiraira.com.br\/GrupoDePesquisa\/Congresso%20Brasileiro%20de%20Folclore\/Trabalhos\/GT%2014\/Trabalhos%20completos\/1171-O%20FOLGUEDO%20DOS%20CARETAS.pdf<\/u><\/a><\/li>\n\n\n\n<li><strong>Folia de Reis em Minas Gerais: entre s\u00edmbolos cat\u00f3licos e ambiguidades africanas <\/strong>(01\\07\\2013)<br>Andiara Barbosa Neder<br><a href=\"https:\/\/www.redalyc.org\/journal\/7179\/717976844002\/\"><u>https:\/\/www.redalyc.org\/journal\/7179\/717976844002\/<\/u><\/a><\/li>\n\n\n\n<li><strong>O g\u00eanero da m\u00e1scara: desfigura\u00e7\u00f5es no Reisado de Caretas da Fam\u00edlia Ramos em Canind\u00e9<\/strong> (21\\10\\2024)<br>Ribamar Jos\u00e9 de Oliveira Junior<br><a href=\"https:\/\/periodicos.ufmg.br\/index.php\/revistapos\/article\/view\/52756\"><u>https:\/\/periodicos.ufmg.br\/index.php\/revistapos\/article\/view\/52756<\/u><\/a><\/li>\n\n\n\n<li><strong>Jogos de m\u00e1scaras e mascaramentos no ensino da atua\u00e7\u00e3o performativa: transgress\u00f5es diversas rumo \u00e0 exist\u00eancia plural <\/strong>(2024)<br>Bya Braga<br><a href=\"https:\/\/repositorio.ufmg.br\/items\/e49611ac-f1d2-4a00-b02b-69b8c28f0069\"><u>https:\/\/repositorio.ufmg.br\/items\/e49611ac-f1d2-4a00-b02b-69b8c28f0069<\/u><\/a><\/li>\n\n\n\n<li><strong>Martelo e Mateus: princ\u00edpios para a presen\u00e7a no conhecimento incorporado<\/strong> (25\\06\\2024)<br>Ana Caldas Lewinsohn<br><a href=\"https:\/\/periodicos.unespar.edu.br\/mosaico\/article\/view\/9241\"><u>https:\/\/periodicos.unespar.edu.br\/mosaico\/article\/view\/9241<\/u><\/a><\/li>\n\n\n\n<li><strong>A m\u00e1scara de boi e os mascarados: Piren\u00f3polis e o carnaval em Pentecostes<\/strong> (28\\12\\2017)<br>Maria Cristina de Freitas Bonetti<br><a href=\"https:\/\/revistas.ufg.br\/teoria\/article\/view\/50896\"><u>https:\/\/revistas.ufg.br\/teoria\/article\/view\/50896<\/u><\/a><\/li>\n\n\n\n<li>A m\u00e1scara do Palha\u00e7o nas Manifesta\u00e7\u00f5es Populares Brasileiras (17\\05\\2018)<br>Ivanildo Piccoli<br><a href=\"https:\/\/www.iar.unicamp.br\/publionline\/abrace\/hosting.iar.unicamp.br\/publionline\/index.php\/abrace\/article\/view\/1280.html\"><u>https:\/\/www.iar.unicamp.br\/publionline\/abrace\/hosting.iar.unicamp.br\/publionline\/index.php\/abrace\/article\/view\/1280.html<\/u><\/a><\/li>\n\n\n\n<li><strong>A m\u00e1scara e a forma\u00e7\u00e3o do ator<\/strong> (09\\03\\2018)<br>Felisberto Sabino da Costa<br><a href=\"https:\/\/www.revistas.udesc.br\/index.php\/moin\/article\/view\/1059652595034701012005025\"><u>https:\/\/www.revistas.udesc.br\/index.php\/moin\/article\/view\/1059652595034701012005025<\/u><\/a><\/li>\n\n\n\n<li><strong>A m\u00e1scara e a sombra: palco e vida<\/strong> (31\/07\/2017)<br>Joice Aglae Brondani<br><a href=\"https:\/\/revistas.ufg.br\/artce\/article\/view\/46181\"><u>https:\/\/revistas.ufg.br\/artce\/article\/view\/46181<\/u><\/a><\/li>\n\n\n\n<li><strong>M\u00e1scara em rede no afrocarnaval<\/strong> (11\\01\\2013)<br>Jos\u00e9 Antonio Carneiro Le\u00e3o<br><a href=\"https:\/\/www.e-publicacoes.uerj.br\/tecap\/article\/view\/10216\"><u>https:\/\/www.e-publicacoes.uerj.br\/tecap\/article\/view\/10216<\/u><\/a><\/li>\n\n\n\n<li><strong>A m\u00e1scara e o corpo brincante nas artes da cena <\/strong>(26\\11\\2024)<br>Thais Fernanda da Silva e Adriane Maciel Gomes<br><a href=\"https:\/\/anais.uel.br\/portal\/index.php\/proensino\/article\/view\/4631\"><u>https:\/\/anais.uel.br\/portal\/index.php\/proensino\/article\/view\/4631<\/u><\/a><\/li>\n\n\n\n<li><strong>A m\u00e1scara e os personagens mascarados nos folguedos maranhenses.<\/strong> (03\\09\\2022)<br>T\u00e1cito Freire Borralho e Rog\u00e9rio Vaz da Silva<br><a href=\"https:\/\/www.revistas.udesc.br\/index.php\/moin\/article\/view\/22416\"><u>https:\/\/www.revistas.udesc.br\/index.php\/moin\/article\/view\/22416<\/u><\/a><\/li>\n\n\n\n<li><strong>As m\u00e1scaras andarilhas: o ato de deslocar-se e o mascaramento na cria\u00e7\u00e3o de interven\u00e7\u00f5es teatrais<\/strong> (16\\10\\2019)<br>Rog\u00e9rio Lopes da Silva Paulino<br><a href=\"https:\/\/orion.nics.unicamp.br\/index.php\/simposiorfc\/pt_BR\/article\/view\/683\"><u>https:\/\/orion.nics.unicamp.br\/index.php\/simposiorfc\/pt_BR\/article\/view\/683<\/u><\/a><\/li>\n\n\n\n<li><strong>M\u00e1scaras e bem viver: compondo um mapeamento criativo a partir da tradi\u00e7\u00e3o mascarada em Minas Gerais<\/strong> (2023, p. 1375-1386)<br>Bya Braga<br><a href=\"http:\/\/portalabrace.org\/novo2022\/wp-content\/uploads\/2023\/12\/Artes-Cenicas-na-Amazonia.pdf\"><u>http:\/\/portalabrace.org\/novo2022\/wp-content\/uploads\/2023\/12\/Artes-Cenicas-na-Amazonia.pdf<\/u><\/a><\/li>\n\n\n\n<li><strong>M\u00e1scaras e m\u00edmicas no teatro brasileiro: uma decoloniza\u00e7\u00e3o da pr\u00e1tica art\u00edstica?<\/strong> (18\/12\/2024)<br>Erico Jos\u00e9 Souza de Oliveira<br><a href=\"https:\/\/www.revistas.udesc.br\/index.php\/urdimento\/article\/view\/26154\"><u>https:\/\/www.revistas.udesc.br\/index.php\/urdimento\/article\/view\/26154<\/u><\/a><\/li>\n\n\n\n<li><strong>As m\u00e1scaras: estudo de manifesta\u00e7\u00f5es culturais em fun\u00e7\u00e3o do patrim\u00f4nio cultural<\/strong> (05\/06\/2019)<br>Nadja Maria Mour\u00e3o, Rita de Castro Engler, Ana C\u00e9lia Carneiro Oliveira e Fl\u00e1via Neves de Oliveira Castro<br><a href=\"https:\/\/static.even3.com\/processos\/2c904b159d514a73af60.pdf?v=639129299143993957\"><u>https:\/\/static.even3.com\/processos\/2c904b159d514a73af60.pdf?v=639129299143993957<\/u><\/a><\/li>\n\n\n\n<li><strong>M\u00e1scaras: identidades e etnomaterializa\u00e7\u00e3o<\/strong> (2024)<br>Nilton Gon\u00e7alves Gamba Junior, Miguel Santos de Carvalho, Priscila Andrade<br><a href=\"https:\/\/eed.emnuvens.com.br\/design\/article\/view\/2038\"><u>https:\/\/eed.emnuvens.com.br\/design\/article\/view\/2038<\/u><\/a><\/li>\n\n\n\n<li><strong>M\u00e1scaras Larv\u00e1rias Online: desafios pedag\u00f3gicos<\/strong> (25\/2\/2022)<br>Cl\u00e1udia M\u00fcller Sachs<br><a href=\"https:\/\/www.scielo.br\/j\/rbep\/a\/qFPSQpgySWG7BZdjWmCSXhz\/?format=pdf&amp;lang=pt\"><u>https:\/\/www.scielo.br\/j\/rbep\/a\/qFPSQpgySWG7BZdjWmCSXhz\/?format=pdf&amp;lang=pt<\/u><\/a><\/li>\n\n\n\n<li><strong>Mascaradas de rua \u2013 Entre o ritual, a festa e a patrimonializa\u00e7\u00e3o<\/strong> (12\\07\\2019)<br>Silvia Sueli Santos da Silva<br><a href=\"https:\/\/revistas.unama.br\/index.php\/asasdapalavra\/article\/view\/1675\"><u>https:\/\/revistas.unama.br\/index.php\/asasdapalavra\/article\/view\/1675<\/u><\/a><\/li>\n\n\n\n<li><strong>Mascarados em cena: comicidade, caminhada e festa no Encontro de Bois em S\u00e3o Lu\u00eds do Maranh\u00e3o<\/strong> (21\\07\\2017)<br>Danielle de Jesus de Souza Fons\u00eaca<br><a href=\"https:\/\/periodicos.sbu.unicamp.br\/ojs\/index.php\/conce\/article\/view\/8648651\"><u>https:\/\/periodicos.sbu.unicamp.br\/ojs\/index.php\/conce\/article\/view\/8648651<\/u><\/a><\/li>\n\n\n\n<li><strong>Mascaramento \u2013 Um espelhamento de for\u00e7as<\/strong> (2019)<br>Melissa dos Santos Lopes<br><a href=\"https:\/\/periodicos.ufrn.br\/artresearchjournal\/article\/view\/17417\"><u>https:\/\/periodicos.ufrn.br\/artresearchjournal\/article\/view\/17417<\/u><\/a><\/li>\n\n\n\n<li><strong>O \u201cMist\u00e9rio\u201d dos Cazumbas: O l\u00fadico e o rito no Bumba-meu-boi do Maranh\u00e3o<\/strong> (07\\05\\2010)<br>Elisene Castro Matos e S\u00e9rgio Figueiredo Ferretti<br><a href=\"https:\/\/periodicoseletronicos.ufma.br\/index.php\/rpcsoc\/article\/view\/63\"><u>https:\/\/periodicoseletronicos.ufma.br\/index.php\/rpcsoc\/article\/view\/63<\/u><\/a><\/li>\n\n\n\n<li><strong>\u201cN\u00e3o somos contra os bois estilizados\u201d: tens\u00f5es e conflitos entre Estado e artistas populares<\/strong> (29\\07\\2020)<br>Weslley Fontenele<br><a href=\"https:\/\/www.revistas.udesc.br\/index.php\/moin\/article\/view\/2595034702222020055\"><u>https:\/\/www.revistas.udesc.br\/index.php\/moin\/article\/view\/2595034702222020055<\/u><\/a><\/li>\n\n\n\n<li><strong>O palha\u00e7o de Folia de Reis e o diabo festivo na Am\u00e9rica Latina: representatividade, teatralidade e religiosidade<\/strong> (2010)<br>Aressa Egly Rios da Silveira<br><a href=\"https:\/\/www.iar.unicamp.br\/publionline\/abrace\/hosting.iar.unicamp.br\/publionline\/index.php\/abrace\/article\/view\/3397.html\"><u>https:\/\/www.iar.unicamp.br\/publionline\/abrace\/hosting.iar.unicamp.br\/publionline\/index.php\/abrace\/article\/view\/3397.html<\/u><\/a><\/li>\n\n\n\n<li><strong>O palha\u00e7o de reis fluminense e sua m\u00e1scara: performance, ritual e religiosidade<\/strong> (13\\08\\2021)<br>Carolina Rodrigues Silva<br><a href=\"https:\/\/periodicos.ufpel.edu.br\/index.php\/HistRev\/article\/view\/20782\"><u>https:\/\/periodicos.ufpel.edu.br\/index.php\/HistRev\/article\/view\/20782<\/u><\/a><\/li>\n\n\n\n<li><strong>Palha\u00e7os e m\u00e1scaras nas Folias de Reis: alegoria social, subvers\u00e3o e transgress\u00e3o<\/strong> (02\\09\\2012)<br>Neide Aparecida Marinho<br><a href=\"https:\/\/revistas.pucsp.br\/algazarra\/article\/view\/9469\"><u>https:\/\/revistas.pucsp.br\/algazarra\/article\/view\/9469<\/u><\/a><\/li>\n\n\n\n<li><strong>Palha\u00e7os &amp; Personagens da Folia de Reis do Estado do Rio<\/strong> (17\\02\\2020)<br>Patricia Pereira Peralta<br><a href=\"https:\/\/revistas.ufrj.br\/index.php\/interfaces\/article\/view\/31882\"><u>https:\/\/revistas.ufrj.br\/index.php\/interfaces\/article\/view\/31882<\/u><\/a><\/li>\n\n\n\n<li><strong>Os Papangus de Beberibe cultura popular, riso e hibridismo<\/strong> (06\\08\\2024)<br>Pedro Pereira do Nascimento<br><a href=\"https:\/\/periodicos.uff.br\/ensaios\/article\/view\/50448\"><u>https:\/\/periodicos.uff.br\/ensaios\/article\/view\/50448<\/u><\/a><\/li>\n\n\n\n<li><strong>Patrimonializa\u00e7\u00e3o do carnaval em Maragogipe-BA: din\u00e2micas e ambiguidades da cultura<\/strong> (18\\03\\2019)<br>Carlos Henrique Cardoso e F\u00e1tima Tavares<br><a href=\"https:\/\/periodicos.ufpb.br\/index.php\/politicaetrabalho\/article\/view\/41857\"><u>https:\/\/periodicos.ufpb.br\/index.php\/politicaetrabalho\/article\/view\/41857<\/u><\/a><\/li>\n\n\n\n<li><strong>Paucartambo\/Peru e suas m\u00e1scaras: pontes com o aqui e o agora<\/strong><br>Vilma Campos dos Santos Leite<br><a href=\"https:\/\/www.periodicos.ia.unesp.br\/index.php\/rebento\/article\/view\/236\"><u>https:\/\/www.periodicos.ia.unesp.br\/index.php\/rebento\/article\/view\/236<\/u><\/a><\/li>\n\n\n\n<li><strong>Pedagogia e m\u00e1scaras: entrevista com dois mestres canadenses<\/strong><br>Vilma Campos Leite<br><a href=\"https:\/\/periodicos.sbu.unicamp.br\/ojs\/index.php\/conce\/article\/view\/8648743\"><u>https:\/\/periodicos.sbu.unicamp.br\/ojs\/index.php\/conce\/article\/view\/8648743<\/u><\/a><\/li>\n\n\n\n<li><strong>Performatividade e reinven\u00e7\u00e3o: construindo m\u00e1scaras e desconstruindo h\u00e1bitos no Bloco dos caretas de Guiratinga, Mato Grosso<\/strong> (01\\06\\2014)<br>Claudyanne Rodrigues Almeida e Maria Thereza Oliveira Azevedo<br><a href=\"https:\/\/revistas.usp.br\/extraprensa\/pt_BR\/article\/view\/EPX14-PM6\"><u>https:\/\/revistas.usp.br\/extraprensa\/pt_BR\/article\/view\/EPX14-PM6<\/u><\/a><\/li>\n\n\n\n<li><strong>Pintura em lecoq: uma po\u00e9tica corporal<\/strong> (2019)<br>Cl\u00e1udia M\u00fcller Sachs<br><a href=\"https:\/\/seer.ufu.br\/index.php\/rascunhos\/article\/view\/46402\"><u>https:\/\/seer.ufu.br\/index.php\/rascunhos\/article\/view\/46402<\/u><\/a><\/li>\n\n\n\n<li><strong>Pir\u00f4, palha\u00e7aria e brincadeiras no setor dos cavalinhos no arraial do pavulagem <\/strong>(06\\12\\2025)<br>Silvia Sueli Santos da Silva e Lucelle Oliveira do Nascimento<br><a href=\"https:\/\/periodicos.ufrn.br\/manzua\/article\/view\/38934\"><u>https:\/\/periodicos.ufrn.br\/manzua\/article\/view\/38934<\/u><\/a><\/li>\n\n\n\n<li><strong>\u00c0 procura do estado buf\u00e3o no mascaramento bufo.<\/strong> (2024)<br>Andr\u00e9 de Paiva Cavalcanti Alencar; Ana Caldas Lewinsohn<br><a href=\"https:\/\/periodicos.ufmg.br\/index.php\/revistapos\/article\/view\/52655\"><u>https:\/\/periodicos.ufmg.br\/index.php\/revistapos\/article\/view\/52655<\/u><\/a><\/li>\n\n\n\n<li><strong>Sobre a indument\u00e1ria na festa popular: imagens, signos e fantasias<\/strong> (05\\10\\2010)<br>Regina Moura<br><a href=\"https:\/\/www.e-publicacoes.uerj.br\/tecap\/article\/view\/12139\"><u>https:\/\/www.e-publicacoes.uerj.br\/tecap\/article\/view\/12139<\/u><\/a><\/li>\n\n\n\n<li><strong>Territ\u00f3rios teatrais a partir das m\u00e1scaras brincantes<\/strong> 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